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There is of course, a catch in the that must be obeyed. Should it be violated, everything will pass to another person. Theory and practice reno. The catch is usually one of the following: • The character must spend the night in the deceased's impossibly large mansion, which may or may not be a. Either way, expect someone in the will to adopt a ghost disguise and try to disqualify everyone else by scaring them off.
• The character is explicitly warned they must not harm 'X' -- which prompts 'X' to move in with them and become a shameless moocher. • The character simply must stay alive, because the will stipulates another will inherit all if anything 'unforeseen' happens to the main character. This is usually a setup for said secondary character to try and kill off the primary beneficiary. The catch is essentially a foreshadowed to, since making the characters of a show extremely wealthy will almost always kill the inherent drama or central premise of the show by implying that they could simply of whatever they got into.
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Thus, unless an inheritance is part of the plot from the start, whatever the character inherits, they're by the end. They may do so by accident or purposely after deciding and no amount of wealth is worth the humiliating restrictions. A common subversion is for the characters to not blow the catch, but end up with nothing because the estate is heavily in debt and is promptly seized by a bank or the IRS for back taxes. Another way to play it is to make the inheritance 'worthless', as in a promised collection of 'priceless' artwork turns out to be a pile of that are only 'priceless' in that no one could ever be found who actually wanted to buy them. Or, it could simply be 'worth-less', as in they get Great Uncle Beaureguard's $1 million fortune, but it's Confederate money.
In, it would actually be worth a pretty penny to collectors, but obviously no longer worth face value. Another possible ending is for the supposedly dead relative to show up alive, and reveal that the whole affair was a. See Also:,,,. Leo: You'll be forced to dress up as a member of the opposite sex and adopt a monkey in order to inherit $1 million, but it'll go off without a hitch. Real Life • A rich Toronto lawyer, financier and practical joker named Charles Vance Millar, wrote in his will that he wanted the bulk of his estate to be given to the Toronto woman who birthed the most legitimate children in the 10 years after his death. This sparked The Great Stork Derby that went the full length of time with 4 winners and two runners up despite frantic efforts to kill the will in the courts. • The Rule Against Perpetuities exists in the UK, the US and other countries that inherited the Common Law.
In its most common form, it simply states 'No conditional bequest is valid unless it must vest, if at all, within a life in being plus 21 years.' It works to prevent somebody from controlling their assets from beyond the grave forever (i.e. 'in perpetuity'). Certain relevant reasonable-but-ridiculous legal illustrations showing why you don't want to be in arms reach include the 'fertile octogenarian' and the 'unborn widow' rules. The will in the former leaves land to person A, aged 85 and childless, for her life, then to the first of her natural born children to reach age 25; since the children are not extant at the time of the will it is possible for the condition to be unfulfilled for 21 years, the bequest to the unborn children is invalid and the old lady inherits the land absolutely.
The will in the latter leaves the property to person A for life, then their widow for life, and then any of their children then still living (at the time of the widow's death). In this case, the condition for the last part doesn't need to activate within 21 years of the will activating (i.e.
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The widow lives more than 21 years), so the will could be rendered invalid. Alternately, A might not be married, in which case there is no person who could become his widow, or A might divorce and remarry, in which case the widow at the time the will activates is not the widow referred to by the person who wrote the original will.